[et_pb_section fb_built=”1″ _builder_version=”3.22″][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.4.6″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” hover_enabled=”0″]
Depot Theatre board president presents 2014 Buchanan Award to Shirley Bacot Shamel
Westport, N.Y. – The Board of Trustees of the Depot Theatre is pleased to announce that the organization’s 36th season was an unquestionable success, ending the fiscal year in the black for the first time in four years thanks to high attendance and generous contributions from donors and volunteers.
“It might come as a surprise to some that ticket sales cover only a small portion of the expense involved in running a professional theatre,” said John Klipper, board treasurer. “Earned revenue must be augmented with contributed revenue. We’re excited that our revenue goals were not only met, but surpassed!”
This news is especially gratifying given the financial shortfall that required the board to implement organizational changes at the close of the 2013 season in an attempt to secure a sustainable future for the organization.
Following the expert advice of the New York Council on Non-Profits and a newly-formed Advisory Council of former trustees and friends, the board implemented a recovery plan that adjusted the length of the season and experimented with a seasonal staffing model that included a full-summer interim producing director and several essential part-time staff.
Restructuring and cost cutting did not diminish the organization’s commitment to producing quality professional theatre. In 2014, all of the actors and stage managers were engaged on Actors’ Equity contracts and received pension and health contributions from the Depot.
“Producing professional theatre in a small, rural community, while challenging, provides cultural and economic benefits to the entire region,” said David Howson, board president. “The board is committed to honing a mission-driven program that balances revenue and expenses along with a sustainable staffing model to ensure the long-term viability of the theater.”
“We’re tremendously grateful to the community, its generous donors and volunteers for the amount of support they have given to secure the future of this theatre – the only theatre company in the Adirondacks that operates under an agreement with Actors’ Equity Association,” said Howson.
The Depot Theatre is currently conducting a staffing search and plans to announce next year’s season lineup in early 2015. For updates and more information, visit www.depottheatre.org.
The board extends its most heartfelt gratitude to Shirley Bacot Shamel, 2014 recipient of the Depot Theatre Buchanan Award, which was presented to her at the closing show of the season. Shamel, a longtime member of the Board of Trustees, continues to dedicate her expertise, time and resources to advance the Depot Theatre’s mission.
###
ABOUT THE DEPOT THEATRE
The Depot Theatre is a non-profit, professional theatre located in a historic, functioning 1876 train station in Westport, N.Y., and operates under an agreement with Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. In addition to its volunteer board of trustees, the theatre depends on the support and generosity of its loyal donors, volunteers and community members. Committed to promoting and providing exposure to the performing arts in the Adirondacks, the Depot Theatre invites all to “Take a journey without leaving the station.” The Depot Theatre’s 2014 Season is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.
DEPOT THEATRE INC. BOARD OF TRUSTEES
Maureen Carlo, Jim Carroll, Beth Glover (vice president), David Howson (president), John Klipper (treasurer), Lawrence Masle, Amy McNamara (secretary), Kimberly Rielly and Shirley Bacot Shamel.
DEPOT THEATRE INC. ADVISORY COUNCIL
Linda Beane, Bonnie Brewer, Randy Buck, George Davis (honorary chair), Gordon Decker, Howard Fish, Michael McDonald, Mary Ellen O’Loughlin, Libby Pataki, Cheri Phillips, Jane Preston, Sharon Reynolds, Annie Scavo and Sally Struthers.
[/et_pb_text][/et_pb_column][/et_pb_row][/et_pb_section]
Gibbs’s production partner, Lindsay Pontius, always keeps their young cast on their toes. You might see one unexpectedly climbing a tree or surprising the audience by delivering lines already perched from a tree in the park. The co-directors are adept at helping their students grasp exactly what the Bard had in mind and demonstrating that for audiences.
CHAN HARRIS is originally from East Texas, Chan Harris studied music at Juilliard with classmates Renee Fleming, Audra MacDonald and Laura Linney. As an actor, he was cast in several national Broadway tours Broadway including “Evita,” “Big River,” and “Into the Woods”and worked in regional theatres across the United States. In 1999, he directed the national tour of “Forever Plaid.” “Greater Tuna” marks Harris’ acting and directing debuts at the Depot.
TRIP PLYMALE has appeared on Broadway in “The Robber Bridegroom,” and Off-Broadway in “A Funny Thing Happened on the Way to the Forum,” “House of Blue Leaves,” “Music Man,” and others. This is Trip’s second performance on the Depot stage, having first performed in “Damn Yankees” in 1997.
The musical production also serves as an Adirondack homecoming for Maggie Politi, who is grateful to be back in the mountains where she grew up. Favorite past roles include: Daphne in the world premiere of “Gay Bride of Frankenstein” in NYC, Roxie Hart in “Chicago” (West Virginia Public, Prather Entertainment) and Mayzie in the “Seussical” tour.
