Tag Archive for: Beth Glover

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Leslie Dame and Beth Glover at 106.3 WNBZ-FM

The cast and director of THE ROOMMATE got a chance to be on the radio! If you missed it:

Station Takeover:

https://www.wnbz.com/…/nbz-fm-takeover-the-depot…/

Interview with cast & director:

https://www.wnbz.com/…/beth-glover-leslie-dame-and…/

Sharp Wit and Unlikely Friendship to Close the 2025 Season

Westport, N.Y. — The Depot Theatre will close its 2025 Main Stage season with a limited Labor Day weekend engagement of The Roommate by Jen Silverman, fresh from its acclaimed Broadway run. Starring Depot Theatre Co-Artistic Director Beth Glover alongside Leslie Dame, the production will play four performances only, August 28–31, in the theatre’s historic Westport, New York train-station venue.

This funny, slyly suspenseful 90-minute dramedy is an incisive look at identity, unexpected connection, and the messy thrill of starting over. USA Today praised the Broadway production as “criminally funny”…. “a smart, touching two-hander” said The New York Times, while TheaterMania called it “a gem of a play, equal parts laugh-out-loud funny and quietly profound.”

The story follows Sharon, a recently divorced, middle-aged woman in Iowa, who takes in a new roommate, Robyn — a free-spirited newcomer from the city with a mysterious past. What begins as a polite Midwestern arrangement quickly accelerates into a surprising, and occasionally dangerous, bond.

The Depot Theatre production features a powerhouse creative team:

  • Beth Glover (Sharon), Co–Artistic Director of the Depot Theatre, Broadway Tour alum, and regional theatre mainstay whose Depot performances have been called “magnetic” and “richly layered.”
  • Leslie Dame (Robyn), a highly regarded local professional known for her dynamic work on stage and in indie film.
  • Karen Lewis (Director), Co–Artistic Director of the Depot Theatre, Emmy- and Writers Guild–winning scriptwriter for television, and a playwright whose work has been featured at festivals including Spoleto and off-Broadway.

“Some people buy a sports car in midlife. In The Roommate, they make…other choices,” said Director Karen Lewis. “Beth and Leslie capture all the humor, danger, and bad ideas that come with them.”

The Roommate will be performed at the Depot Theatre, the first and oldest Professional Equity Theatre in the Adirondacks, located in a restored 1876 train station in the heart of Westport, NY. 

  • Thursday, August 28 at 5:00 PM ($25 Preview Performance followed by Depot Dialogue)
  • Friday, August 29 at 5:00 PM
  • Saturday, August 30 7:30 PM
  • Sunday, August 31 at 3:00 PM

Tickets and Information: 

Tickets are available online at DepotTheatre.org or by calling the box office at (518) 962-4449.

The Depot Theatre’s 2025 Season is sponsored by the Rogers-Carroll Family Foundation. The Roommate is sponsored by Emerging Blue


See this announcement in the news here: BroadwayWorld

WESTPORT, NY —The Depot Theatre and the Westport Wadhams Community Alliance are pleased to present a staged play reading of THE THANKSGIVING PLAY on March 9 at 3pm at the Westport Heritage House. The reading is produced by Saranac Lake-based Adirondack Stage Rats.

Good intentions collide with absurd assumptions in Larissa FastHorse’s wickedly funny satire, as a troupe of terminally woke teaching artists scramble to create a pageant that somehow manages to celebrate both Turkey Day and Native American Heritage Month.

Larissa FastHorse (a member of the Sicangu Lakota tribe) is a playwright and choreographer based in Santa Monica, California. In 2023, she became the first known female Native American playwright produced on Broadway with THE THANKSGIVING PLAY at Second Stage’s Hayes Theater.

The staged reading is directed by Beth Glover and features Peter Corley, Laura Farrell,
Tyler Nye, and Tara Palen.

The event is free and open to the public. The Westport Heritage House is located at 6459 Main St, Westport, NY.

About the Adirondack Stage Rats

ADIRONDACK STAGE RATS is a collective of theatre artists and devotees dedicated to creating theatre that inspires, enriches, and educates residents of, and visitors to, our region. Utilizing minimal lighting & set pieces ADIRONDACK STAGE RATS creates “small-batch” personal, intimate, thought-provoking productions for adventurous, discriminating audiences. adirondackstagerats.com

About the Depot Theatre

The Depot Theatre is a non-profit, professional theatre located in a historic, functioning 1876 train station in Westport, N.Y., and it is the only theatre in the Adirondacks that operates under an agreement with Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. In addition to its volunteer board of trustees, the theatre depends on the support and generosity of its loyal donors, volunteers, and community members. Committed to promoting and providing exposure to the performing arts in the Adirondacks, the Depot Theatre invites all to “Take a journey without leaving the station.” DepotTheatre.org

About the Westport Wadhams Community Alliance

The mission of The Westport-Wadhams Community Alliance is to nurture collaborations among public and private entities and support economic growth, cultural vitality, and environmental sustainability in the Westport-Wadhams community. gowestportny.com

WESTPORT, NY —The Depot Theatre and the Westport Wadhams Community Alliance are pleased to present a staged play reading of ADMISSIONS by Joshua Harmon on November 16 at 3pm at the Westport Heritage House. The reading is produced by Saranac Lake-based Adirondack Stage Rats.

ADMISSIONS is a new play in which main character Sherri Rosen-Mason is head of the admissions department at a New England prep school, fighting to diversify the student body. Alongside her husband, the school’s Headmaster, they’ve largely succeeded in bringing a stodgy institution into the twenty-first century. But when their only son sets his sights on an Ivy League university, personal ambition collides with progressive values, with convulsive results. A no-holds-barred look at privilege, power, and the perils of hypocrisy.

The staged reading is directed by Beth Glover and features Fran Yardley, Laura-Jean Swanson, Tyler Nye, Laura Menzie, and Peter Corley.

The event is free and open to the public. The Westport Heritage House is located at 6459 Main St, Westport, NY.

Meet the Cast


Peter Corley (Charlie Luther Mason) recently played Harrison in Analog & Vinyl at The Depot Theatre. In the last year he appeared in two Martin McDonagh plays, as Katurian in The Pillowman and Ray in Beauty Queen of Lenane, as well as George Bailey in It’s a Wonderful Life, Billy in Stoppard’ s The Real Thing and Fred/Young Scrooge in A Christmas Carol, all in Northwest NJ. He’s a graduate of the musical theater program at New York’s Circle in the Square, where he played Konstantin in The Seagull, Cooper in Island Song, and as guest artist alum returned for productions of I Love You, You’re Perfect, Now Change, and LaChiusa’s See What I Wanna See

Laura Menzie (Ginnie Peters) is thrilled to join the ADK Stage Rat’s for another reading. Previous acting credits with the Rats include Blackbird and Radiant Vermin. Laura has also worked with Pendragon Theatre, Saratoga Shakespeare, Titan Theatre Company, Stages Rep, Houston Shakespeare Festival, Franklin Stage, and others. She has also worked in Mexico with Icaro Teatro and in the UK with TCSquared Theatre Company. Laura currently teaches Acting and Voice and Speech at Skidmore College. For more information visit lauramenzie.com

Tyler Nye (Bill Mason) spent his summer in Westport performing Every Brilliant Thing at the Depot Theatre. Previously with the ADK Stage Rats: readings of None of the Above and Radiant Vermin. His credits at Pendragon Theatre in Saranac Lake include Our Town, Doubt, Deathtrap, Baskerville, and Shipwrecked!. Other regional favorites include The 39 Steps and See How They Run. Tyler grew up in the Adirondacks and appears as Uncle Drosselmeyer in the North Country’s Nutcracker. Off-Broadway: The Mystery of Irma Vep, Twelfth Night, The Glass Menagerie. Off stage: Associate General Manager at Lake Placid Center for the Arts. tylernye.com

Laura-Jean Swanson (Sherri Rosen-Mason) has several acting, directing, and choreography credits from NYC and Mpls, MN. She has been associated with over 30 Pendragon theatre productions and is a SUNY Plattsburgh Theatre Department professor. An improv specialist, she leads improv therapy sessions with Veterans and teen groups. LJ also does production work through the Kennedy Center American College Theatre Festival.

Fran Yardley (Roberta) is delighted to be involved with yet another marvelous Stage Rats Production with some of her fave fellow actors. Some past roles include Fanny in Painting Churches, Kimberly in Kimberly Akimbo, Sister Aloysius in Doubt, and Abby in Arsenic and Old Lace. Fran’s memoir/history, Finding True North, explores her fifty years in the Adirondacks woven with the history going back to the mid 1800s. Thanks to Karen and Beth for creating a generous space for us all to aspire to really terrific theatre.

Beth Glover, Director (she/her) Her passion for theatre began with a Southern upbringing that valued storytelling. Directing credits: Analog & Vinyl at Depot Theatre, Honky Tonk Angels at Pendragon Theatre, 9 to 5at SUNY Plattsburgh, Southern Comforts & Bakersfield Mist for Adirondack Lakes Center for the Arts & Adirondack Stage Rats, Wicked City & Heroes for Depot Theatre, and more for Adirondack Stage Rats, co-founded with Karen Lewis. Selected acting credits: 6 Broadway National Tours, Off-Broadway, Goodspeed Opera House, Papermill Playhouse, Shakespeare Theatre Co. of DC, etc. Favorite roles: Blanche, A Streetcar Named Desire, Big&Lil Edie, Grey Gardens (BACC Award Best Actress). Complete credits: www.Beth-Glover.com


About the Adirondack Stage Rats

ADIRONDACK STAGE RATS is a collective of theatre artists and devotees dedicated to creating theatre that inspires, enriches, and educates residents of, and visitors to, our region. Utilizing minimal lighting & set pieces ADIRONDACK STAGE RATS creates “small-batch” personal, intimate, thought-provoking productions for adventurous, discriminating audiences. adirondackstagerats.com

 About the Depot Theatre

The Depot Theatre is a non-profit, professional theatre located in a historic, functioning 1876 train station in Westport, N.Y., and it is the only theatre in the Adirondacks that operates under an agreement with Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. In addition to its volunteer board of trustees, the theatre depends on the support and generosity of its loyal donors, volunteers, and community members. Committed to promoting and providing exposure to the performing arts in the Adirondacks, the Depot Theatre invites all to “Take a journey without leaving the station.” DepotTheatre.org

About the Westport Wadhams Community Alliance

The mission of The Westport-Wadhams Community Alliance is to nurture collaborations among public and private entities and support economic growth, cultural vitality, and environmental sustainability in the Westport-Wadhams community. gowestportny.com

Tiara Whaley, Peter Corley, and Aja Downing in the Depot Theatre’s ANALOG AND VINYL.

A strength of the Depot is its perfect pitch for knowing when to poke smoldering social issues and when to let sleeping dogs lie. There are so many eye-averting troubles we must confront today at every turn that the luxury of escapism feels to be just what we needed.

Analog and Vinyl is a light and welcome beach-read of a musical that asks little of us, except that we sit back and enjoy an evening free of worldly encumbrances.

The scene of Analog and Vinyl is a vintage record shop operating out of a defunct convenience store, and from the get-go the set makes us happy — nostalgic posters of Steppenwolf and such, papering over walls that retain the garish 7-Eleven color scheme.

This is the lonely stamping grounds of the stressed Harrison, played by Peter Corley, whose lot in life is a blind devotion to the pressed albums of old that have lost out to the inferior but more convenient strains of the digital world.

Peter Corley

Corley aptly channels his inner Eeyore while still maintaining an appropriate hint of optimistic light (not an easy balancing act, but Corley pulls it off), by way of a stone cold assurance that one of these days the unwashed masses will see the error of their ways and come flocking to his store for LPs. (We in 2024 America know that, theoretically, he was right, and somehow this knowledge makes Harrison both more endearing and situationally valid.)

Helping Harrison in the shop, or trying to, is the air-headed Rodeo Girl (Tiara Whaley) who is a bubbly, amusingly difficult to explain presence. Though the plot of Analog and Vinyl is a bit uneven in spots, we’re all having fun so it can remain an article of faith that loose ends will eventually be tied and inconsistencies reconciled, at least close enough for a rom-com.

Tiara Whaley

Whaley skillfully takes a puzzling character and layers on complexities that grow as the show goes on, culminating in A&V’s best moment, Whaley’s rendition of “Vinyl Boy,” which brings down the house.

But the most delicious role of The Stranger is saved for the superb Aja Downing, who knows exactly what to do with a choice part. Of course you can’t spell “stranger” without s-a-t-a-n, and sure enough, the stranger has an offer that Harrison and Rodeo Girl can’t refuse. Or can they?

Aja Downing

As the two wrestle with their difficult decisions, more of their veneers crumble away and reveal tear-shedding vulnerabilities that make us feel far different about them than when they started out.

Director Beth Glover keeps the show hopping with levity until the plot can build momentum of its own. Also keeping toes tapping is a talented orchestra — Jane Boxall on drums, Bill Stokes on bass, and Andy Tompkins on guitar, with keyboards and music direction by Valerie Gebert — playing a lively score that is kind of essential to a show about a record shop.

THE ORCHESTRA –  (L-R) Valerie Gebert, musical director and keyboards; Andy Tompkins, guitar; Jane Boxall, drums; Bill Stokes, bass.

All told, the show leaves us far happier than when we came in, and not many diversions today can make that claim. Circumstances being what they are, the Depot’s Analog and Vinyl is a refreshing oasis from our cares in a day and age when, for a little carefree fun, we might even sell our souls.

Tim Rowland contributed this review by the request of, and in collaboration with the Depot Theatre. Rowland is a journalist and New York Times bestselling author, whose humorous commentaries explore an eclectic variety of subject matter, from politics to history to the great outdoors. He and his wife Beth live on the Ausable River in Jay, N.Y.

WESTPORT, N.Y. — The Depot Theatre in Westport, New York, is pleased to announce the dynamic cast of ANALOG & VINYL, the first production in the theatre’s 46th season main stage lineup.

ANALOG & VINYL is a musical rom-com romp with a memorable score infused with the influences of Elvis Costello, the Beatles, and Brian Wilson. It’s a delicious, devilish tale of Harrison, a young record shop owner, Rodeo Girl, the seemingly spacey—yet weirdly wise—hipster obsessed with him, and a mysterious stranger who rocks their world with an offer they might not be able to refuse.

The part of Harrison is played by Peter Corley. This past year Peter appeared in two Martin McDonagh plays, as Katurian in THE PILLOWMAN and Ray in BEAUTY QUEEN OF LENANE, as well as George Bailey in IT’S A WONDERFUL LIFE, Billy in Stoppard’s THE REAL THING, and Fred/Young Scrooge in A CHRISTMAS CAROL, all in Northwest NJ. He’s a graduate of the musical theater program at New York’s Circle in the Square, where he played Konstantin in THE SEAGULL, Cooper in ISLAND SONG, and as guest artist alum returned for productions of I LOVE YOU, YOU’RE PERFECT, NOW CHANGE, and LaChiusa’s SEE WHAT I WANNA SEE.

Aja Downing plays the role of The Stranger. Downing graduated from The American Musical Arts Academy in 2016. Some of Aja’s previous roles were Annette in TJ LOVES SALLY 4 EVA, Lorrell in DREAMGIRLS, Jojo in CHERCHEZ LA FEMME, Cassandra in ALEX AND EUGENE, Christine Daè in THE PHANTOM OF THE OPERA, Aida in AIDA, and Ella Baker in BAYARD: A NEW MUSICAL.

Tiara Whaley will play the role of Rodeo Girl. She is a Philadelphia-based actress and holds a musical theatre degree from West Chester University. Her favorite roles include Ti Moune (ONCE ON THIS ISLAND), Emmie Thibedeaux (CAROLINE OR CHANGE, Helen Hayes Outstanding Supporting Actress), Dorothy Gale (WIZARD OF OZ), and Heather Chandler (HEATHERS).

“We saw so many amazing actors at our New York City auditions – any number of them could do a fine job in ANALOG & VINYL,” said Beth Glover, the show’s director and part of the Depot’s Artistic Production Management team. “But these three talents, Tiara, Peter, and Aja, not only knocked it out of the park, they knocked us out with their vocals and scene work. ANALOG & VINYL is dear to us and we love watching this joyful enthusiastic cast bring this funny, smart, heartfelt story to life, and we’re certain you’ll love it, too.”

The musical will be backed by a top-notch pit band led by Valerie Gebert, Director/Conductor/Keyboardist with National and International Tours of Broadway musicals including SIX, THE LION KING, WICKED, ANASTASIA, CINDERELLA, FINDING NEVERLAND, THE ADDAMS FAMILY, CABARET, JOSEPH……, SOUND OF MUSIC, WEST SIDE STORY, A CHORUS LINE and HELLO, DOLLY! Other members of the band are Jane Boxall (drums), Andy Tompkins (guitar), and Bill Stokes (bass).

ANALOG & VINYL will run from June 27 through July 14. Tickets can be purchased online at DepotTheatre.org or by calling 518.962.4449.

The Depot Theatre is a non-profit, professional theatre located in a historic, functioning 1876 train station in Westport, NY, and it is the only theatre in the Adirondacks that operates under an agreement with Actors’ Equity Association.

For more information about the Depot Theatre’s main stage and Academy youth programs and for news updates visit DepotTheatre.org.

Analog & Vinyl
June 28 – July 14, with a $25 Preview on June 27
Music and Lyrics by Paul Gordon
Book by Paul Gordon & Michael Berresse

RATED: PG-13 (Language)
PRODUCTION SPONSOR: The Brooks and Joan Fortune Family Foundation

Analog and Vinyl is presented by special arrangement with Uproar Theatrics
www.UproarTheatrics.com

About the Depot Theatre

The Depot Theatre is a non-profit, professional theatre located in a historic, functioning 1876 train station in Westport, N.Y., and it is the only theatre in the Adirondacks that operates under an agreement with Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. In addition to its volunteer board of trustees, the theatre depends on the support and generosity of its loyal donors, volunteers, and community members. Committed to promoting and providing exposure to the performing arts in the Adirondacks, the Depot Theatre invites all to “Take a journey without leaving the station.” The Depot Theatre’s 2024 programming is made possible by the New York State Council on the Arts with the support of the Governor and the New York State Legislature. Additional support is provided by the Essex County Arts Council. The Depot Theatre 2024 Season is sponsored by the Rogers-Carroll Family Foundation.

The Depot Theatre Academy is a robust educational experience for area youth and a pathway for those interested in pursuing a profession in theatre—whether that’s backstage or on stage.

(L-R:) Beth Glover and Karen Lewis are the new Artistic Production Management team for the Depot Theatre.

WESTPORT, NY — The Depot Theatre in Westport, NY is pleased to announce the appointment of Beth Glover and Karen Lewis to provide artistic leadership as the theatre’s new Artistic Production Management team. 

Beth Glover (she/her) has been a theatre professional devoted to the arts for over 30 years. Her passion for the arts can be traced back to a Southern upbringing that valued storytelling. Her acting credits include six Broadway National Tours and many shows Off-Broadway. Directing credits include 9 TO 5 at SUNY Plattsburgh, BAKERSFIELD MIST for Adk Lakes Ctr for the Arts & ASR, SOUTHERN COMFORTS for ALCA, WICKED CITY & HEROES for Depot Theatre, and more for Adirondack Stage Rats, a production company co-founded with her wife, Karen Lewis.

Karen L. Lewis (she/her) is a writer/producer whose plays have been performed around the country as well as Off-Broadway, and whose work in television writing garnered her 5 Emmys and 4 WGA awards. A member of the Writers Guild of America and The Dramatists’ Guild, her plays have won numerous awards: THE PERFECT WIFE won The Stanley Drama Award, and was a semi-finalist for both the Eugene O’Neill Theatre’s National Playwrights Conference and the Actors Theatre of Charlotte’s nuVoices for a nuGeneration Playwriting Festival. And SHADES OF VALOR was a winner of the AACT NewPlayFest and was premiered at Twin City Stage in Winston-Salem, NC and is published by Dramatic Publishing.

“We’ve been fortunate to benefit from Karen and Beth’s collective expertise for decades as volunteers, advisors, and professional artists,” said Kim Rielly, Depot Theatre Executive Director. “I’m thrilled to welcome them and their vast experience and vision in this official leadership capacity!”

“Having played so many roles both on and off stage at the Depot over the past 25 years, serving as this summer’s artistic team is like a very pleasant homecoming,” said Beth Glover. “We’re looking forward to working with old friends and bringing in new faces and energy to ignite the 2024 summer season!”

The Depot Theatre is a non-profit, professional theatre located in a historic, functioning 1876 train station in Westport, NY, and it is the only theatre in the Adirondacks that operates under an agreement with Actors’ Equity Association.

The Depot Theatre’s 2024 season will be announced soon. For more information about the Depot Theatre, its main stage and Academy youth programs, and for news updates visit DepotTheatre.org.

###

About the Depot Theatre

The Depot Theatre is a non-profit, professional theatre located in a historic, functioning 1876 train station in Westport, N.Y., and it is the only theatre in the Adirondacks that operates under an agreement with Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. In addition to its volunteer board of trustees, the theatre depends on the support and generosity of its loyal donors, volunteers, and community members. Committed to promoting and providing exposure to the performing arts in the Adirondacks, the Depot Theatre invites all to “Take a journey without leaving the station.” The Depot Theatre’s 2024 programming is made possible by the New York State Council on the Arts with the support of the Governor and the New York State Legislature, with additional support from the Essex County Arts Council.

The Depot Theatre Academy is a robust educational experience for area youth and a pathway for those interested in pursuing a profession in theatre—whether that’s backstage or on stage.

Yvette as Ursula at the Arrow Rock Lyceum Theatre.

Yvette as Ursula at the Arrow Rock Lyceum Theatre

As 2021 draws to a close, and the world of theatre is beginning to open up again in so many wonderful and exciting ways, we thought this would be a great time to check in with some of our Depot alumni and see who has begun to step foot “onto the boards” again, and what kind of theater they have been able to be a part of!

From this past season, our first fully in-person season in nearly two years, the stars of THE MOUNTAINTOP both went on to exciting projects. Yvette Clark played the evil Ursula in THE LITTLE MERMAID at Arrow Rock Lyceum Theatre, and Curtis Wiley has returned to his job in the Broadway company of the hit show AIN’T TOO PROUD, making us all proud of their triple-threat talents!

Jonathan Hadley in the National Tour of CS LEWIS’S, THE GREAT DIVORCE.

Jonathan Hadley in the National Tour of C.S. LEWIS’S, THE GREAT DIVORCE

Jonathan Hadley (39 STEPS, PETE N KEELEY) was also able to return to his pre-lockdown acting job, playing multiple roles in the National Tour of CS LEWIS’S, THE GREAT DIVORCE. The same for Julianne Godfrey (NEW YORK WATER) who was able to return to the national tour of MY FAIR LADY.

Wynn Harmon who Depot audiences will remember from THE MOUSETRAP, BALMORAL, and HARVEY is ending the year on Nantucket playing Scrooge in A NANTUCKET CHRISTMAS CAROL, and will soon head to Florida where he will appear in CAROUSEL. Take us with you to Florida, Wynn!

Amy Griffin as Mrs. White in CLUE at the Meadow Brook Theater

Amy Griffin as Mrs. White in CLUE at the Meadow Brook Theater

Depot alumni have a tendency to stick together, even after they leave the comfort and quiet of Westport. After playing Mrs. White in CLUE at the Meadowbrook Theatre, Amy Griffin (OUTSIDE MULLINGAR) directed a reading of a new musical at Music Theatre of Connecticut, and she cast Annie Eggerton (THE BIKINIS) and Annette Michelle Sanders (SOUVENIR) in the leads! Kathryn Markey and Bethany Gwen Perkins didn’t think one production of ALWAYS PATSY CLINE in 2018 was enough for them, so they did it again at the New London Barn Theatre, this time with Kathryn directing the production.

Speaking of directors, Evan Pappas (MY WAY, 2014) is now the Artistic Director of the Argyle Theatre in Babylon, LI, and he was able to successfully re-open the theatre with a full season this year – no easy feat, as our own Executive and Producing Artistic Directors can attest to. Lake Placid’s own Maggie Stiggers, who was in that production of MY WAY, as well as SAVIN’ UP FOR SATURDAY NIGHT, is the co-founder of Nikofrank Productions where she directs, writes, and produces the many hysterical videos and podcasts they create, and she is co-author of “Dear Future Producer,” now available on Amazon.

Maggie with her book

Maggie Stiggers with her book

Another actor turned producer is Depot-favorite, Beth Glover, who co-founded a new theatre company, The Adirondack Stage Rats, which performed its first shows al fresco around Saranac Lake, and last summer cast our esteemed board member Kathy Recchia in LIFESPAN OF A FACT. Always great to have more theatre in the North Country!

These are just a few Depot-ians who have begun to ply their craft once again and are certainly grateful and happy for the chance to do so. We cherish our alumni as we cherish you, our audience, and can’t wait to see you all back here next summer!

Happy New Year!

–Jonathan Hadley, Board Trustee and Actor

 

ALUMS: Send updates about your great work to Jonathan HERE to be included in the spring roundup!

A Physically Distanced One Act Play

As we come to the end of what would have been our 43rd season at the Depot Theatre, we felt the need to interview some Depot alumni and see where and how they spent their Summer of 2020.

However, since we are all STARVED for live theatre, we decided forgo the usual interview format and transform their answers into a short One-act play.

Feel free to act it out in your living rooms or back yards!

 

 

PLACE:

The Depot Theatre in Westport, NY

TIME:

The end of the summer during the Pandemic of 2020

CHARACTERS:

LORI FUNK (Actor, 39 Steps & An Act of God), YVETTE CLARK (Actor, Ain’t Misbehavin’, Route 66) AMY GRIFFIN (Director, 39 Steps & actor, Outside Mullingar) SARAH OVERTURF (Stage Manager 2013-15) JONATHAN HADLEY (Actor, Pete N Keely, 39 Steps, Interim Producing Director 2014-15) and BETH GLOVER (Actor in over 12 productions, Director of Heroes and Wicked City). With some surprise guests.

 

(LIGHTS UP on the beloved Depot Theatre stage; the stage we all love and have seen transformed into any number of exotic places depending on the demands of the show. It is empty now. Suddenly there is the sound of a TRAIN WHISTLE. Six figures appear on the stage – all wearing masks and physically distanced, of course.)

LORI- Hey! We’re on the Depot Stage!! How the heck did we get here? I was walking in Fort Tryon Park with my husband and daughter and suddenly here I am!
BETH – (who is wearing a wide-brimmed sun bonnet) I was in the yard at my house in Saranac Lake, weeding my garden, and suddenly here I am!
YVETTE- (holding a remote control) I was in Brooklyn watching TV with my Mom and my son. Next thing I know..!!
SARAH – (wearing a headset) I was in Astoria on a Zoom call with my job and BOOM! Here I am!
JONATHAN – (holding a martini glass) I was having a cocktail on my roof in Greenwich Village! Cheers!
AMY – I was at my home in Nyack with my husband and son finally organizing my basement …..but I was thinking of my Summers at the Depot.
BETH – Me too!
JONATHAN – So was I!!
SARAH and YVETTE- Me TOO!!!
LORI – Ohhh… I think of the Depot often!

(Everyone sighs. Suddenly KENNEY GREEN, Producing Artistic Director of the Depot, appears and begins playing a jazzy tune on a baby grand piano that has also magically appeared. A second later KIM RIELLY, the Depot’s Executive Director, appears lounging on the piano.)

WHAT THEY MISS AT THE DEPOT…

EVERYONE- HI Kenney!!! Hi Kim!!!!
KENNEY and KIM- Hi you guys!!!
KIM – We certainly have missed you all this Summer!!
KENNEY – Let me ask you guys a question: What do ya’ll miss most about the Depot Summer experience?

YVETTE – You know…I’ve worked at many places but the Depot is special. I miss the mountains and the wrap around porch at the artist’s house.

LORI – The community is so lovely and supportive and welcoming. The space is perfectly quirky and charming. The gorgeous Adirondack setting cannot be beaten. The people I’ve met and worked with, and, subsequently, become great friends with, are some of the best of the best. Mix that with the chance to do what I love, and that sums up pretty much everything I miss the most right now.

AMY – The Depot is such an intimate theatre, and the sense of community is really special. The fact that the company rehearses and performs together all day and lives together in one big house creates a wonderful sense of family.

Jonathan Hadley and Sarah Overturf “working” at the Depot.

SARAH – The people, the art, the collective goal of making excellent theatre accessible to people in that area are what I miss.

BETH – The fast collaborative experience is always thrilling — rehearsing and creating in 9 days demands tight bonds both onstage and off.  When it works (which is 99.99% of the time at the Depot), it is positively…. magical.

(KENNEY plays a verse of “Magic to Do” from Pippin and everyone sings along.)

JONATHAN – Absolutely! I miss the wonderful roles we get to play up here, away from the pressures of the city. Along with the Dogwood pizza and Stewart’s iced coffee!!

SARAH – Oh! The Keene Valley Farmer’s Market on Sundays is the BEST! And the Noon Mark Diner’s pies!

LORI – I want to take advantage of all those goodies once again. And, for me, ‘all those goodies’ means food and shopping. Westport, and places nearby, have fantastic restaurants, along with sweet little hidden retail gems. And I love introducing friends and family to all those places, too.

WHAT THEY’VE BEEN UP TO

Amy Griffin, obviously thinking about the Depot…

KENNEY – (playing an “up tune” on the piano). So what has everyone done to keep busy during this crazy time?

AMY – Well, drinking wine and crying was my major pastime in the beginning. It was–and is–very hard to have basically everything in your profession cancelled with no idea when it will resume.

EVERYONE – Here, Here!!!

JONATHAN – It’s so true! 100% of the theatrical unions are out of work which makes us dependent on whatever we can get from Unemployment. I was in a touring show that was cancelled and we’re just waiting to see when and IF we will be able to return to a theatre. In the meantime, I hope something will come up!

AMY – It’s so rough! But, I will say, I have rallied somewhat. I’ve now been doing a lot of acting coaching on Zoom. Thankfully, one-on-one coaching works well in that format. I’m also continuing my own study (remotely) with my voice and acting teachers. I’m also directing a Zoom play reading coming up, and also acting in a Zoom reading. So that’s what’s keeping me alive creatively!

Beth Glover – shown here wide-brimmed-sun-bonnet-less.

JONATHAN- I painted my entire apartment and read the whole C S Lewis Narnia series. But NOT at the same time!

SARAH- I tried to get caught up on script reading and listening to soundtracks. I began running (not creative, but definitely an outlet). I can’t wait until the city opens up a bit more to be able to get out to museums, music, etc.

BETH – I’ve been doing some writing and reading quite a few plays.  I’ve participated in some readings of plays on Zoom and organized some.  Karen, my wife/partner of 23 years…
EVERYONE: 23 years!!!!
BETH: Yep…while she and I were hunkered down here in the beauty of the Adirondacks we talked quite a bit about figuring out how to produce socially distanced theatre.  We found a play for 2 actors that is PERFECT.  The characters are strangers so using social distancing is natural.  We are now in rehearsals and plan to hold performances in our yard (Mickey and Judy put on a show!) in late September.  The audience will be limited to 20 people so they can also socially distance.  A win for art! A win for theatre! A win for actors!

LORI – Taking inspiration from other friends and colleagues, my husband and daughter and I decided to do a family story time from our living room bean bag chair entitled ‘Bean Bag Story

Lori Funk and her daughter reading in their online series “Bean Bag Story Time.”

Time.’ We post the videos on Facebook. To date, we’ve read close to 50 stories for the little folks (and some big folks, too). We’ve heard from people all over the country who have enjoyed watching. The goal was to create something that could potentially spread a tiny bit of joy. Hoping we’ve done just that. Fun fact: One of the books we read was Ingredients for a Witch, written by the multi-talented John Treacy Egan, who just happened to be our fabulous director for An Act of God at The Depot last season.

YVETTE – I just did my first virtual cabaret on August 28th, “Diva of the ‘Demic” on Facebook Live. Be on the lookout because another one is coming soon! For the past six months I have been posting videos of me singing show tunes on Marie’s Crisis Café page, Marie’s Group. We took our showtune piano bar virtual when our doors closed in mid-March.

 

ON STAGE MEMORIES

Yvette Clark

Yvette Clark – aka “Diva of the “Demic”

JONATHAN – Being on this stage brings back so many memories. Most of them having to do with a train stopping the show!! Beth, do you remember during Born Yesterday after a long train went by, that I picked up the phone on the set and said “Front desk? Can you move me to another room that’s not so near the train tracks??” Do any of you have a good memory to share?

BETH – Oh yes!!! When we were doing Guys and Dolls, Paul Kelly was Nathan Detroit and I was Miss Adelaide, we were in the scene where Adelaide is telling him she writes her mother about the 5 children they have, when a bat began swooping down causing us to duck several times.  Paul Kelly said, pointing at the bat, “Did you tell your mother about this kid? He’s trying to kill us.”

YVETTE – I was in a production of Route 66 in 2014, I believe, and one of my character’s names in the show was Vonda Carter and she was a sheriff. One day in rehearsal, Adam Michael Tilford, who was our musical director, decided that she needed theme music to enter on. Well, I can’t tell how much I enjoyed walking out to my own theme music! HA!

AMY – When I was playing Rosemary in Outside Mullingar, we had a very unexpected moment of audience participation. The play is a very unconventional love story, and in the very last scene the two protagonists finally confess their long-hidden love for each other and share a long-awaited kiss. In one unforgettable performance, the fabulous actor, Todd Cerveris, embraced me, kissed me tenderly, and we heard (as usual) the “Ahhhh” of the touched and happy audience. Then, after one beat of silence, we heard a male audience member yell out a top volume: “GET A ROOM!” Todd and I began silently laughing so hard our shoulders were shaking and our teeth clicking together in our stage kiss! Thankfully, we only had about ten more lines before the play ended and we managed to keep it together till the lights went down.

SARAH – The people have always been the highlight of The Depot for me. But if I had to pick one memory, I would have to say the chicken story, and if you know, you know!!

(Suddenly in the distance we hear the rumbling of a train.)

SARAH – Ladies and Gentlemen, as your stage manager, I must inform you that a train is coming. We’ll need to dim the lights, as is tradition. Margaret! Margaret are you here?

(MARGARET SWICK, ace Lighting Designer and Master Electrician answers from the lighting loft).

MARGARET – Sure, I’m here! I’ve spent the whole pandemic up here. It’s very peaceful.

SARAH – Can you begin to dim the lights please? It looks like our time is up here, folks.

LOOKING AHEAD

KIM – You know, no matter how bleak it seems now, we’ve got lots of plans for our theatre in the coming months, and the Depot WILL be back next summer! We can promise you that! But before you all leave one more question: is there any project you’d like to do or role you’d like to play when we are able to be back on this stage for real, sometime in the future? No promises, but we can add them to Kenney’s “potential show” list. Right, Kenney?

(KENNEY plays a fanfare on the piano and everyone cheers.)

SARAH- I know that when the train is back up and running I want to be available however The Depot needs me. I would love to stage manage in the train station again.

BETH – I’d like to play Polly in Other Desert Cities; Mame in Mame (if Depot ever started having large cast shows again); Mrs. Kitty Warren in Mrs. Warren’s Profession; Virginia in Native Gardens to name a few.

YVETTE – Anything written by August Wilson. If Fences were done, I would love to play Rose.

AMY- Oh, gosh, so many! Proof, I Love You, You’re Perfect Now Change, Good People, God Of Carnage, Daddy Long Legs, ….the list goes on and on!

LORI – Oh I’d be happy to play ‘2nd tree from the left,’ in any production at The Depot, quite honestly. But, if I had my ‘druthers,’ it would be an honor to reprise either of my roles in an upcoming anniversary season of “favorites.” hint-hint ;) I also think an all-female production of ‘Art‘ could be pretty fantastic. And, I’ve always wanted to play ‘Miss Hannigan’ in Annie. Hey, a gal can dream!

(KENNEY begins to play a dreamy version of “Dream a Little Dream of Me” on the piano as the lights slowly dim and fade to black.)

See you all next summer!

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Pendragon Theatre presents
THE GLASS MENAGERIE
By Tennessee Williams
Directed by Karen Lordi-Kirkham
Sponsored by Emmet Carter Green Design
At the Depot Theatre
September 1-4

The play that catapulted Williams to fame is as haunting and treasured as memory itself. Based on elements of his own life, the classic drama moves from shimmering moments of warmth and humor to scenes of shattering heartbreak. This special offering is produced by the award-winning Pendragon Theatre of Saranac Lake.

(l to r) Beth Glover, Liv Paulson, and Miles River Willow (Photo credit: Burdette Parks)

(l to r) Beth Glover, Liv Paulson, and Miles River Willow (Photo credit: Burdette Parks)

BETH GLOVER (Amanda), a NYC-based actress, starred most recently in the Broadway national tour of Cinderella as the Wicked Step Mother. Beth has performed in 11 Depot Theatre productions over an 18 year period; most recently Marie Lombardi in Lombardi.  She was last seen at Pendragon as Blanche in A Streetcar Named Desire. National Tours: All Shook Up; Promises, Promises, Dirty Blonde, Anything Goes, The Taffetas.  Off-Bway: Take Me Along, Counsellor at Law, and many more.  World Premieres: Analog & Vinyl; The Good Girl is Gone; Book of Candy; Body Shop. She won the SFBACC Best Actress award for portraying Big Edie and Little Edie in Grey Gardens. She was nominated for best actress for 9to5, Good News, and Dirty Rotten Scoundrels.  National commercials, TV & Film. For complete credits: www.BethGloverActress.com.  Much love and thanks to Karen and Karen.

Liv Paulson (Photo credit: Burdette Parks)

Liv Paulson (Photo credit: Burdette Parks)

LIV PAULSON (Laura) has been involved in over 20 Pendragon productions since 2007, including Bus Stop, Alice in Wonderland, Other Desert Cities, and most recently The Snow Queen and Arcadia. This season she is delighted to be part of Amadeus and The Glass Menagerie.  She is an undergraduate in Medieval and Early Modern Studies at Binghamton University and would like to thank the wonderful cast and crew of The Glass Menagerie & her Pendragon family. Special thanks to Anne and Don Paulson, and Steven Hebert.

(l to r) Miles River Willow and Beth Glover (Photo credit: Burdette Parks)

(l to r) Miles River Willow and Beth Glover (Photo credit: Burdette Parks)

MILES RIVER WILLOW (Tom) is pleased to return to Pendragon for his second season. Last year you may have seen him in Arcadia (Septimus Hodge), The Seagull(Konstantin), or Twas the Night Before Christmas (Uncle Brierley/Sir Guy). Other favorite credits include: Bent (Captain), Back of the Throat (Bartlett), and A Streetcar Named Desire (Stanley Kowalski). Miles is a graduate of SUNY Potsdam and will soon be a proud resident of New York City. Miles would like to thank his family for their unending support; and you-the patrons of Pendragon for keeping theatre thriving here in the Adirondacks. Cheers!

(l to r) Liv Paulson and Dylan Duffy (Photo credit: Burdette Parks)

(l to r) Liv Paulson and Dylan Duffy (Photo credit: Burdette Parks)

DYLAN DUFFY (Jim) is ecstatic to be back for another summer season here at Pendragon! He has spent the last 3 years working in the community as a real estate salesperson and acting as much as possible. Recently, Dylan has been in the following Pendragon productions: The Complete World of Sports: Abridged, Aladdin, Dirty Blonde, Death of a Salesman, Vanya and Sonia and Masha and Spike. Dylan is also very involved in community theatre with the Upper Jay Arts Center and the Community Theatre Players. When Dylan isn’t working or at the theatre you can find him on the lake or trying to keep up with his 2 year old black lab, Maya. Lastly, Dylan would like to say thank you and congratulations to the entire Pendragon summer cast and crew on another great season!

ABOUT THE CREATIVE TEAM

KAREN LORDI-KIRKHAM (Director) has extensive experience directing in both regional and academic settings. In addition to her over fifteen years at Pendragon, she has directed for the Jean Cocteau Repertory, Handcart Ensemble and Phoenix Ensemble in NYC, and the Attic Theater in Los Angeles, where she received the Drama Logue’s Award for Best Director and Production. She has directed productions ranging from musicals to new plays, including the world premiere of Andre Gregory’s Bone Songs, for which she also served as the dramaturg working extensively with Gregory pre-publication of the script. Highlights include directing Julie Harris in the world premiere of Peter Dee’s Amber Patches, touring shows to the Edinburgh Fringe Festival and Berlin, assisting Marshall Mason for the Broadway production of Lanford Wilson’s Redwood Curtain and assisting Jiri Zizka and being dramaturg for the Wilma Theater’s production of Stoppard’s Every Good Boy Deserves Favor with the Philadelphia orchestra. She has additional experience in dance, movement theater and choreography. She graduated with a MFA and DFA from the Yale School of Drama, where she was the artistic director of the Yale Summer Cabaret. She is also a Full Professor of Theater and Dance at Dickinson College in Carlisle, PA.

KELLIE MCMENEMON (Stage Manager) is excited to be a part of the 2016 summer season at Pendragon Theatre. Most recently Kellie has worked at Florida Studio Theatre in Sarasota Florida as an Assistant Stage Manager on Butler and Alabama Story. Other credits include Almost Maine (Two Roads Theatre, CA), Be More Chill (Two River Theatre, NJ) and Desdemona: A Play About  A Handkerchief (Edinburgh, Scotland).

PEGGY ORMAN (Touring Stage Manager) is excited to be involved in her sixth summer season at Pendragon Theatre; working with old friends and new! Recent onstage appearances include CTP’s The Little Mermaid and the Reader’s Theatre series, cabarets and Ghost Tales at Pendragon. As always, much love and thanks to her family for “being there,” so she can be here.

BONNIE B. BREWER (Production Manager/Lighting Designer) has been working the professional theatre circuit over a quarter of a century. A company member at Pendragon Theatre since 1990, she has directed more than 20 shows, and has shared her talents in designing sound, lights, sets and creating props for close to 160 productions all throughout upstate NY. This season is for Bean, he is missed every minute of every day–of all the souls I have known, his was the most… human.

TIJANA BJELAJAC (Set Design) is a New York based set designer and visual artist. Her work includes set designs, paintings, sculptures, for theater and opera. She has shown her work in various exhibitions throughout Europe and U.S. Since 2006 she has been one of the designers in “George Tsypin Opera Factory” where she worked on operas such as Magic Flute for Opera Australia, musicals Spiderman and Little Mermaid and Opening ceremony for the Olympic Games 2014 Sochi, Russia. Past credits include: Three Penny Opera (Marvell Repertory Theater) NYC; Othello(Actors Shakespeare Project) Boston; Odyssey (45.Bleecker St. Theater) NYC;Hinges Keep A City (Huntington Theatre) Boston, The Red Lion (Boston Playwrights’ Theatre) Boston; Peter Pan (Olney Theater, MD); Doorman’s Double Duty (Ohio Theater) NYC; Wolves (Belgrade National Theatre). Tijana is the recipient of several major awards, including the prestigious Kahn Career Entry Award for extraordinary talents (2007).

KENT STREED (Costume Design) is a year round part time member of the Pendragon staff who: sells tickets, stuffs envelopes, designs and occasionally acts and answers the phone to loan you a prop or costume item.

Get Your Tickets Here! Or Call 518.962.4449.

GLASS Calendar

Pendragon Theatre presents
THE GLASS MENAGERIE
By Tennessee Williams
Directed by KAREN LORDI-KIRKHAM
With BETH GLOVER, LIV PAULSON, MILES RIVER WILLOW, AND DYLAN DUFFY
Lighting Design by BONNIE B. BREWER
Set Design by TIJANA BJELAJAC
Costume Design by KENT STREED
September 1-4, 2016

The 2016 Season is sponsored by The Galley Restaurant & Bar at Westport Marina

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