Archive for year: 2020

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THANK YOU!

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Although the 2020 season did not play out as originally planned, the Depot Theatre remains strong and ready to tackle 2021 – all thanks to our dedicated and generous sponsors, donors, and volunteers!

We hope you’ll have time during this intermission to read our “Plan B” Playbill, which seeks to express our gratitude for all those who continue to KEEP US STRONG!

 

CLICK BELOW to read the Playbill (select the box in the lower right to view in full screen mode)! 

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A Physically Distanced One Act Play

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As we come to the end of what would have been our 43rd season at the Depot Theatre, we felt the need to interview some Depot alumni and see where and how they spent their Summer of 2020.

However, since we are all STARVED for live theatre, we decided forgo the usual interview format and transform their answers into a short One-act play.

Feel free to act it out in your living rooms or back yards!

 

 

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PLACE:

The Depot Theatre in Westport, NY

TIME:

The end of the summer during the Pandemic of 2020

CHARACTERS:

LORI FUNK (Actor, 39 Steps & An Act of God), YVETTE CLARK (Actor, Ain’t Misbehavin’, Route 66) AMY GRIFFIN (Director, 39 Steps & actor, Outside Mullingar) SARAH OVERTURF (Stage Manager 2013-15) JONATHAN HADLEY (Actor, Pete N Keely, 39 Steps, Interim Producing Director 2014-15) and BETH GLOVER (Actor in over 12 productions, Director of Heroes and Wicked City). With some surprise guests.

 

(LIGHTS UP on the beloved Depot Theatre stage; the stage we all love and have seen transformed into any number of exotic places depending on the demands of the show. It is empty now. Suddenly there is the sound of a TRAIN WHISTLE. Six figures appear on the stage – all wearing masks and physically distanced, of course.)

LORI- Hey! We’re on the Depot Stage!! How the heck did we get here? I was walking in Fort Tryon Park with my husband and daughter and suddenly here I am!
BETH – (who is wearing a wide-brimmed sun bonnet) I was in the yard at my house in Saranac Lake, weeding my garden, and suddenly here I am!
YVETTE- (holding a remote control) I was in Brooklyn watching TV with my Mom and my son. Next thing I know..!!
SARAH – (wearing a headset) I was in Astoria on a Zoom call with my job and BOOM! Here I am!
JONATHAN – (holding a martini glass) I was having a cocktail on my roof in Greenwich Village! Cheers!
AMY – I was at my home in Nyack with my husband and son finally organizing my basement …..but I was thinking of my Summers at the Depot.
BETH – Me too!
JONATHAN – So was I!!
SARAH and YVETTE- Me TOO!!!
LORI – Ohhh… I think of the Depot often!

(Everyone sighs. Suddenly KENNEY GREEN, Producing Artistic Director of the Depot, appears and begins playing a jazzy tune on a baby grand piano that has also magically appeared. A second later KIM RIELLY, the Depot’s Executive Director, appears lounging on the piano.)

WHAT THEY MISS AT THE DEPOT…

EVERYONE- HI Kenney!!! Hi Kim!!!!
KENNEY and KIM- Hi you guys!!!
KIM – We certainly have missed you all this Summer!!
KENNEY – Let me ask you guys a question: What do ya’ll miss most about the Depot Summer experience?

YVETTE – You know…I’ve worked at many places but the Depot is special. I miss the mountains and the wrap around porch at the artist’s house.

LORI – The community is so lovely and supportive and welcoming. The space is perfectly quirky and charming. The gorgeous Adirondack setting cannot be beaten. The people I’ve met and worked with, and, subsequently, become great friends with, are some of the best of the best. Mix that with the chance to do what I love, and that sums up pretty much everything I miss the most right now.

AMY – The Depot is such an intimate theatre, and the sense of community is really special. The fact that the company rehearses and performs together all day and lives together in one big house creates a wonderful sense of family.

Jonathan Hadley and Sarah Overturf “working” at the Depot.

SARAH – The people, the art, the collective goal of making excellent theatre accessible to people in that area are what I miss.

BETH – The fast collaborative experience is always thrilling — rehearsing and creating in 9 days demands tight bonds both onstage and off.  When it works (which is 99.99% of the time at the Depot), it is positively…. magical.

(KENNEY plays a verse of “Magic to Do” from Pippin and everyone sings along.)

JONATHAN – Absolutely! I miss the wonderful roles we get to play up here, away from the pressures of the city. Along with the Dogwood pizza and Stewart’s iced coffee!!

SARAH – Oh! The Keene Valley Farmer’s Market on Sundays is the BEST! And the Noon Mark Diner’s pies!

LORI – I want to take advantage of all those goodies once again. And, for me, ‘all those goodies’ means food and shopping. Westport, and places nearby, have fantastic restaurants, along with sweet little hidden retail gems. And I love introducing friends and family to all those places, too.

WHAT THEY’VE BEEN UP TO

Amy Griffin, obviously thinking about the Depot…

KENNEY – (playing an “up tune” on the piano). So what has everyone done to keep busy during this crazy time?

AMY – Well, drinking wine and crying was my major pastime in the beginning. It was–and is–very hard to have basically everything in your profession cancelled with no idea when it will resume.

EVERYONE – Here, Here!!!

JONATHAN – It’s so true! 100% of the theatrical unions are out of work which makes us dependent on whatever we can get from Unemployment. I was in a touring show that was cancelled and we’re just waiting to see when and IF we will be able to return to a theatre. In the meantime, I hope something will come up!

AMY – It’s so rough! But, I will say, I have rallied somewhat. I’ve now been doing a lot of acting coaching on Zoom. Thankfully, one-on-one coaching works well in that format. I’m also continuing my own study (remotely) with my voice and acting teachers. I’m also directing a Zoom play reading coming up, and also acting in a Zoom reading. So that’s what’s keeping me alive creatively!

Beth Glover – shown here wide-brimmed-sun-bonnet-less.

JONATHAN- I painted my entire apartment and read the whole C S Lewis Narnia series. But NOT at the same time!

SARAH- I tried to get caught up on script reading and listening to soundtracks. I began running (not creative, but definitely an outlet). I can’t wait until the city opens up a bit more to be able to get out to museums, music, etc.

BETH – I’ve been doing some writing and reading quite a few plays.  I’ve participated in some readings of plays on Zoom and organized some.  Karen, my wife/partner of 23 years…
EVERYONE: 23 years!!!!
BETH: Yep…while she and I were hunkered down here in the beauty of the Adirondacks we talked quite a bit about figuring out how to produce socially distanced theatre.  We found a play for 2 actors that is PERFECT.  The characters are strangers so using social distancing is natural.  We are now in rehearsals and plan to hold performances in our yard (Mickey and Judy put on a show!) in late September.  The audience will be limited to 20 people so they can also socially distance.  A win for art! A win for theatre! A win for actors!

LORI – Taking inspiration from other friends and colleagues, my husband and daughter and I decided to do a family story time from our living room bean bag chair entitled ‘Bean Bag Story

Lori Funk and her daughter reading in their online series “Bean Bag Story Time.”

Time.’ We post the videos on Facebook. To date, we’ve read close to 50 stories for the little folks (and some big folks, too). We’ve heard from people all over the country who have enjoyed watching. The goal was to create something that could potentially spread a tiny bit of joy. Hoping we’ve done just that. Fun fact: One of the books we read was Ingredients for a Witch, written by the multi-talented John Treacy Egan, who just happened to be our fabulous director for An Act of God at The Depot last season.

YVETTE – I just did my first virtual cabaret on August 28th, “Diva of the ‘Demic” on Facebook Live. Be on the lookout because another one is coming soon! For the past six months I have been posting videos of me singing show tunes on Marie’s Crisis Café page, Marie’s Group. We took our showtune piano bar virtual when our doors closed in mid-March.

 

ON STAGE MEMORIES

Yvette Clark

Yvette Clark – aka “Diva of the “Demic”

JONATHAN – Being on this stage brings back so many memories. Most of them having to do with a train stopping the show!! Beth, do you remember during Born Yesterday after a long train went by, that I picked up the phone on the set and said “Front desk? Can you move me to another room that’s not so near the train tracks??” Do any of you have a good memory to share?

BETH – Oh yes!!! When we were doing Guys and Dolls, Paul Kelly was Nathan Detroit and I was Miss Adelaide, we were in the scene where Adelaide is telling him she writes her mother about the 5 children they have, when a bat began swooping down causing us to duck several times.  Paul Kelly said, pointing at the bat, “Did you tell your mother about this kid? He’s trying to kill us.”

YVETTE – I was in a production of Route 66 in 2014, I believe, and one of my character’s names in the show was Vonda Carter and she was a sheriff. One day in rehearsal, Adam Michael Tilford, who was our musical director, decided that she needed theme music to enter on. Well, I can’t tell how much I enjoyed walking out to my own theme music! HA!

AMY – When I was playing Rosemary in Outside Mullingar, we had a very unexpected moment of audience participation. The play is a very unconventional love story, and in the very last scene the two protagonists finally confess their long-hidden love for each other and share a long-awaited kiss. In one unforgettable performance, the fabulous actor, Todd Cerveris, embraced me, kissed me tenderly, and we heard (as usual) the “Ahhhh” of the touched and happy audience. Then, after one beat of silence, we heard a male audience member yell out a top volume: “GET A ROOM!” Todd and I began silently laughing so hard our shoulders were shaking and our teeth clicking together in our stage kiss! Thankfully, we only had about ten more lines before the play ended and we managed to keep it together till the lights went down.

SARAH – The people have always been the highlight of The Depot for me. But if I had to pick one memory, I would have to say the chicken story, and if you know, you know!!

(Suddenly in the distance we hear the rumbling of a train.)

SARAH – Ladies and Gentlemen, as your stage manager, I must inform you that a train is coming. We’ll need to dim the lights, as is tradition. Margaret! Margaret are you here?

(MARGARET SWICK, ace Lighting Designer and Master Electrician answers from the lighting loft).

MARGARET – Sure, I’m here! I’ve spent the whole pandemic up here. It’s very peaceful.

SARAH – Can you begin to dim the lights please? It looks like our time is up here, folks.

LOOKING AHEAD

KIM – You know, no matter how bleak it seems now, we’ve got lots of plans for our theatre in the coming months, and the Depot WILL be back next summer! We can promise you that! But before you all leave one more question: is there any project you’d like to do or role you’d like to play when we are able to be back on this stage for real, sometime in the future? No promises, but we can add them to Kenney’s “potential show” list. Right, Kenney?

(KENNEY plays a fanfare on the piano and everyone cheers.)

SARAH- I know that when the train is back up and running I want to be available however The Depot needs me. I would love to stage manage in the train station again.

BETH – I’d like to play Polly in Other Desert Cities; Mame in Mame (if Depot ever started having large cast shows again); Mrs. Kitty Warren in Mrs. Warren’s Profession; Virginia in Native Gardens to name a few.

YVETTE – Anything written by August Wilson. If Fences were done, I would love to play Rose.

AMY- Oh, gosh, so many! Proof, I Love You, You’re Perfect Now Change, Good People, God Of Carnage, Daddy Long Legs, ….the list goes on and on!

LORI – Oh I’d be happy to play ‘2nd tree from the left,’ in any production at The Depot, quite honestly. But, if I had my ‘druthers,’ it would be an honor to reprise either of my roles in an upcoming anniversary season of “favorites.” hint-hint ;) I also think an all-female production of ‘Art‘ could be pretty fantastic. And, I’ve always wanted to play ‘Miss Hannigan’ in Annie. Hey, a gal can dream!

(KENNEY begins to play a dreamy version of “Dream a Little Dream of Me” on the piano as the lights slowly dim and fade to black.)

See you all next summer!

 

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Depot Theatre AcademyWestport, N.Y. –The Depot Theatre Academy outreach and education program is pleased to offer an in-person Musical Theatre/Monologue Rep Class from September 28-October 26 on Mondays from 6 p.m.-9 p.m.

This 5-week course is ideal for those interested in preparation for auditions, public speaking training and general acting craft development. Participants ages 18 and older will learn two monologues and two songs, and work together with instructors to find a monologue that complements the song to form a seamless package to utilize for auditioning and showcasing.
 
Course instructors are the Depot’s Producing Artistic Director Kenney Green and Adam Michael Tilford, both seasoned theatre professionals. “We’re excited to offer this new program,” said Kenney Green. “Participants will learn how to ACT a song, not just sing it, and to learn how to find and implement new techniques of expression.” 
 
The class will be held at the Depot Theatre at 6705 Main St., Westport, NY, and is limited to 10 participants. Face coverings will be required while entering and exiting the theatre, and any time when in close proximity to others. Strict physical distancing will be implemented, with designated seating in the theatre, and one participant on stage at a time.
 
Interested individuals should contact Katie Shepard by email at ks@depottheatre.org to reserve their spot and/or print and send the registration form to Depot Theatre, PO Box 414, Westport, NY 12993. More information and the registration form is available online at DepotTheatre.org
 
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Depot Theatre Producing Artistic Director Kenney Green addresses physically-distanced 2020 senior Academy students. The theatre will welcome participants for its Musical Theatre/Monologue Rep Class this fall.

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ABOUT THE DEPOT THEATRE
 
The Depot Theatre is a non-profit, professional theatre located in a historic, functioning 1876 train station in Westport, N.Y., and is the only theatre in the Adirondacks that operates under an agreement with Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. In addition to its volunteer board of trustees, the theatre depends on the support and generosity of its loyal donors, volunteers and community members. Committed to promoting and providing exposure to the performing arts in the Adirondacks, the Depot Theatre invites all to “Take a journey without leaving the station.” The Depot Theatre’s 2020 programming is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. Additional support is provided by Adirondack Foundation – Generous Acts Fund and the Essex County Arts Council.

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The Depot Theatre Academy outreach and education program is featured in a recent episode of Mountain Lake Journal’s Spotlight feature on Mountain Lake PBS. Click through to view the video of the program, as well as interviews with the participants, instructors, and Depot Theatre Producing Artistic Director Kenney Green.

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NYSCA NEA CARES grants of $10,000 support community-based arts organizations, prioritizing underserved communities

 

Westport, NY — The Depot Theatre in Westport, N.Y. is one of only five organizations in the North Country Region to have been awarded a $10,000 NYSCA NEA CARES Grant.

This grant is funded by the New York State Council on the Arts with Federal grant funds from the National Endowment for the Arts, funds made available as part of the Coronavirus Aid, Relief, and Economic Security (CARES) Act. The CARES Act provides economic assistance for American workers, families, and small businesses, and preserves jobs for American industries, including the arts sector.

NYSCA NEA CARES Grants of $10,000 each were given to arts organizations with budgets of less than $1.5 million and which have a proven track record of essential contributions to their communities. Supported by the National Endowment for the Arts, these grants will cover salaries and supplemental benefits, fees for artists and other contracted personnel, and operational facilities costs, including rent and utilities payments.

“We’re grateful to NYSCA and the NEA for this timely funding,” said Kim Rielly, Depot Theatre Executive Director. “The grant will support this season’s altered Academy outreach and education program, which requires additional safety measures and personnel to provide in-person professional workshops for youth in voice, dance and scene work in a safe, outdoor setting.”

For more information about NYSCA, visit www.arts.ny.gov. For more information about the Depot Theatre, visit DepotTheatre.org.

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About the New York State Council on the Arts

The New York State Council on the Arts preserves and advances the arts and culture that make New York State an exceptional place to live, work and visit.

NYSCA upholds the right of all New Yorkers to experience the vital contributions the arts make to our communities, education, economic development and quality of life. Through its core grantmaking activity, NYSCA awarded $43.8M in FY2020 to 2,500 organizations statewide through direct grants and regrants in our 15 programs, the Regional Economic Development Council (REDC) initiative and the Mid-Size Capital Project Fund. NYSCA funding supports the visual, literary, media and performing arts and includes dedicated support for arts education and underserved communities. NYSCA further advances New York’s creative culture by convening leaders in the field and providing organizational and professional development opportunities and informational resources. Created by Gov. Nelson Rockefeller in 1960, and continued and expanded to the present day with the support of Gov. Andrew Cuomo and the New York State Legislature, NYSCA is an agency of the executive branch of the New York state government. For more information on NYSCA, visit www.arts.ny.gov, or follow NYSCA’s Facebook page, Twitter @NYSCArts and Instagram @NYSCouncilontheArts.

ABOUT THE DEPOT THEATRE

The Depot Theatre is a non-profit, professional theatre located in a historic, functioning 1876 train station in Westport, N.Y., and is the only theatre in the Adirondacks that operates under an agreement with Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. In addition to its volunteer board of trustees, the theatre depends on the support and generosity of its loyal donors, volunteers and community members. Committed to promoting and providing exposure to the performing arts in the Adirondacks, the Depot Theatre invites all to “Take a journey without leaving the station.” The Depot Theatre’s 2020 programming is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. Additional support is provided by Adirondack Foundation – Generous Acts Fund and the Essex County Arts Council.

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Westport, N.Y. – The Depot Theatre is pleased to announce that it has developed an alternate outreach and education program for in-person learning this summer.

The Depot Theatre Academy 2020 outreach and education program, originally set to be held inside the Whallonsburg Grange Hall as in past years, will be held outdoors, under a large, open-sided tent in the one-acre parkland behind Whitcomb’s, the Grange-owned building directly across the street. The dates for the junior program (ages 8-12) are July 13-24, and the senior program (ages 13+) dates are July 27-August 7, 2020.

“We are partnering with the Whallonsburg Grange Hall to provide a safe, outdoor space for this ‘al fresco’ version of the Academy. The Grange will be sponsoring community events some evenings under The Big Tent as well,” said Kim Rielly, Depot Theatre’s Executive Director. “I think it’s imperative for arts organizations to alter our perspectives and to find creative and collaborative solutions in order to persevere in the current environment and into an unknown future.”

“The Grange is thrilled to help with this innovative Academy program. Our entire community will benefit from a program that brings people together safely and provides an outdoor space for events,” said Mary-Nell Bockman, program manager at the Grange. “We’re looking forward to hosting music, movies, and food under The Big Tent.”

“The curriculum we’ve developed will provide the junior participants with safely-distanced training in dance, voice and scene work, and the ability to connect with each other to produce a take-home video compilation of their individual and collective performances, which we intend to present in a pubic showing,” said Adam Michael Tilford, Depot Theatre Academy Artistic and Musical Director. “The senior program will include scene and song study using modern day Broadway hits (such as Dear Evan Hansen, Hadestown, Mean Girls and many more), will include audition preparation for stage and acting on-camera, and participants will take home a demo reel of their work.”

“We developed this alternate program for in-person learning in consultation with past participant families,” said Kenney Green, the Depot’s Producing Artistic Director. “Of course, strict physical distancing and health and safety protocols will be observed, in accordance with federal and state recommendations and guidelines, and pursuant to New York State’s approval of the North Country Region entering reopening phase 4.”

The Depot Theatre Academy is made possible in part with a generous sponsorship from the Rogers-Carroll Family Foundation and by Depot Theatre Academy underwriter, the Brooks and Joan Fortune Family Foundation. Special thanks to the Whallonsburg Grange Hall and the Hub on the Hill.

Program details, frequently asked questions, and registration is available at www.DepotTheatre.org. Scholarships are available. Although it will be held in the great outdoors, space is limited, and participants will be accepted in the order of registrations received. Questions regarding the program should be directed to Adam Michael Tilford at academy@depottheatre.org.

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ABOUT THE DEPOT THEATRE

The Depot Theatre is a non-profit, professional theatre located in a historic, functioning 1876 train station in Westport, N.Y., and is the only theatre in the Adirondacks that operates under an agreement with Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. In addition to its volunteer board of trustees, the theatre depends on the support and generosity of its loyal donors, volunteers and community members. Committed to promoting and providing exposure to the performing arts in the Adirondacks, the Depot Theatre invites all to “Take a journey without leaving the station.” The Depot Theatre’s 2020 programming is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. Additional support is provided by Essex County Arts Council.

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Tent site for the 2020 Depot Theatre Academy program adacent to the Whallonsburg Grange.


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The Depot Theatre is pleased to have been awarded a $3,000 grant from the Adirondack Foundation’s Generous Acts Fund to support operations in 2020.

Though the Depot’s 2020 main stage season was postponed due to the COVID-19 pandemic, the Theatre will alter its Academy outreach and education program to provide professional workshops for juniors and seniors in voice, dance and scene work in a safe, outdoor setting that allows for social distancing, culminating in take-home video performances.

“We’re extremely grateful to the Generous Acts Fund for this funding, which will support critical repairs to the Depot’s artist housing,” said Kim Rielly the Depot’s Executive Director. “This grant will help us to ensure the safety of visiting artists and our Academy staff, which is vital to our ability to fulfill our mission to to entertain, enrich, and educate through professional theatrical arts and related programs based in a historic train station.”

The Generous Acts at Adirondack Foundation is a force for good that pools gifts from generous donors who love the Adirondacks and care about our communities. Adirondack Foundation works to enhance the lives of the people in the Adirondacks through philanthropy. To learn more, visit adirondackfoundation.org/GenerousActs.

For more information about the Depot Theatre, visit DepotTheatre.org.

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ABOUT THE DEPOT THEATRE

The Depot Theatre is a non-profit, professional theatre located in a historic, functioning 1876 train station in Westport, N.Y., and is the only theatre in the Adirondacks that operates under an agreement with Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. In addition to its volunteer board of trustees, the theatre depends on the support and generosity of its loyal donors, volunteers and community members. Committed to promoting and providing exposure to the performing arts in the Adirondacks, the Depot Theatre invites all to “Take a journey without leaving the station.” The Depot Theatre’s 2020 programming is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. Additional support is provided by Adirondack Foundation – Generous Acts Fund and the Essex County Arts Council.

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As the Producing Artistic Director of the Depot Theatre, I do not trivialize or take for granted this unique opportunity to stand in solidarity with the many Black artists in our industry and beyond who have shared their talents and given so much to our audiences in the North Country over our 42 year history. 

You are seen, you are heard and your cries for equality do not and will not fall on deaf ears. I am in this with all of you and will continue to insist on nothing less than what is just and fair.

– Kenney Green, Producing Artistic Director

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A message from the Depot Theatre administration:

Our biggest priority is the health and safety of our supporters and our cast and crew.

Unfortunately, due to the COVID-19 pandemic, we are postponing our planned 2020 main stage season. It is our intention to pack up the whole 4-show lineup, and produce it in its entirety – hopefully in 2021 – once it is possible to do so at the theatre.

Rest assured that we will honor exchanges and refunds for tickets and subscriptions as required. If this applies to you, you will hear from us soon.

But there’s good news: Although we cannot assemble for a shared live theatre experience in our intimate space in the train station, our goal is to provide you with an alternate, al fresco live theatre experience this season – and we are going to try our hardest to do just that – as circumstances allow. We’re also planning to provide an alternate version of the Depot Theatre Academy outreach and education program this year.

 

Stay tuned for announcements about UPDATED 2020 events and programs!

[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.4.6″][et_pb_column type=”4_4″ _builder_version=”4.4.6″][et_pb_video src=”https://www.youtube.com/watch?v=opIUNpoOYKQ&feature=youtu.be” image_src=”//i.ytimg.com/vi/opIUNpoOYKQ/hqdefault.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.4.6″ hover_enabled=”0″][/et_pb_video][/et_pb_column][/et_pb_row][/et_pb_section]

[et_pb_section fb_built=”1″ _builder_version=”3.22″][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.4.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” hover_enabled=”0″] Hot off the presses, the Depot Theatre’s 2020 season brochure has landed in mailboxes and is available upon request! Dear friends, Like many of you, we are staying informed about the events surrounding the global outbreak of COVID-19. At […]