THE FANTASTICKS – A Review

  THE FANTASTICKS, the comforting theatrical equivalent of ordering the same thing at the restaurant you always do, has not been around forever, although it may seem that way. Debuting in 1960, the musical proceeded to go on an historic, 42-year off-Broadway run,...

CHESAPEAKE – A Review

What is art, anyway? Your dog knows. Long before this thing called woke, long before we had come to understand that all the world’s problems could be solved with pronouns, there existed a simpler time in which culture-war villains had real brick-and-mortar office...

WHAT THE CONSTITUTION MEANS TO ME – A REVIEW

  Looking back, 2019 was a simpler time, when all that human-rights advocates had to worry about were sexists, racists, homophobes, and domestic abusers. So much historical water has flowed beneath our constitutional bridges since then that the list of...

THE ADDAMS FAMILY – A Review

The Addams Family brand just won’t die. But of course. Born in 1938 as a series of one-panel cartoons, this ghoulish family has lived through the generations as cartoon, TV show, film, video game, dance move, and musical comedy. Broadway critics tried to drive a stake...

RED – A Review

  There’s not too much about pretentious artists that hasn’t already been explored, but even by the breed standard, abstract expressionist Mark Rothko — as depicted in John Logan’s Red — takes the cake. “I’m fascinated by me,” Rothko (played by Jeff...